Masaki playing shamisen beneath cherry blossoms
Composer · Performer · Cultural Envoy

MASAKI.

Four-hundred-year-old strings,
tuned for today's world.

20+Instruments
mastered
Cities
available
味線Signature
instrument
Scroll

Enlightenment.

啓 ・ 蒙

Masaki is a custodian of Japan's musical heritage — and a composer set on keeping it alive in the present.

His instinct is not to break with tradition but to extend it. A shamisen whose form dates to the Edo period plays a sixteenth-century folk song, a contemporary chart hit, a CM jingle, and a work of his own composing — and each is honoured equally. The work is fusion, not rupture: centuries-old instruments meeting modern composition, in a voice that today's audience can recognise as their own.

Add to that the discipline of sadō, the way of tea, and the offering becomes something more than a concert. It is Japanese culture presented whole — rooted in its past, alive in its present, carried gently into rooms that have never met it before. This is the enlightenment he brings.

Masaki Composer · 三味線 Player
Hokusai — Fine Wind, Clear Morning (Red Fuji)


Three strings.
Four centuries.

The instrument at the heart of his work — and the heart of Japan's popular music.

The shamisen is the long-necked, three-stringed lute that has carried Japan's music since the sixteenth century. It travelled from China through Okinawa to the back streets of Edo, where townspeople, kabuki actors and bunraku puppet-masters made it their own.

Its voice is dry and percussive, alive with attack — equally capable of accompanying a single singer in a tea house and driving an entire festival square. For four hundred years the shamisen has been the sound of the Japanese street and the Japanese stage in equal measure.

In Masaki's hands it speaks both: a folk song older than memory in one set, an electric arrangement of a contemporary hit in the next. The instrument is unchanged. The repertoire is everything.

背景 · Background Katsushika Hokusai, Fine Wind, Clear Morning (Red Fuji), c. 1830 — from Thirty-six Views of Mount Fuji.
Masaki seated on tatami

Sadō — the way of tea — was codified by the sixteenth-century master Sen no Rikyū around four principles: harmony, respect, purity, and tranquility.

To prepare a bowl of matcha is to choreograph attention: the warming of the bowl, the sifting of the powder, the bamboo whisk's quick circular sweep, the small bow before the cup is offered. What the guest receives is more than green tea. It is a slowing-down of time — a piece of Japan's most distilled philosophy, served in fifty millilitres.

Masaki has practiced sadō for years alongside his music. When he leads a workshop overseas, the same care moves through it. A bowl of tea is shared, and a foreign room learns to be briefly, beautifully, quiet.


Sadō.
Where stillness
is loud.

The discipline he carries alongside the music — and shares with every audience.

Masaki at the piano
At the keys · Tokyo


A composer who plays
twenty instruments.

Trained as a composer and certified music-therapy instructor, Masaki founded the Music Picnic Orchestra and runs the live-music venue RISM — even touring in a custom mobile stage car that turns any street into a concert.

On stage he moves freely between shamisen, piano, C-melody saxophone, drums, handpan, biwa, accordion, koto, nikko, bass and a dozen more — composing for film, theatre, anime and brands along the way.

Tradition,
played at full tilt.

Masaki with shamisen at night
三味線 Shamisen — signature
01

Two repertoires, one instrument

A set might open with a sixteenth-century folk piece and close with a contemporary chart hit — carried by the same shamisen, each honoured on its own terms. The instrument is unchanged. The conversation between past and present is the work.

02

Composer first

Beyond arrangement, every set carries original music — film scores, CM songs, theatre pieces, and his signature original Ōi Benten-bushi, premiered on national television. Modern composition, voiced through traditional instruments.

03

Tempo for today

Speed, groove and contemporary phrasing — delivered by instruments that have been doing exactly this for centuries. Audiences raised on rock recognise it instantly. Audiences raised on tradition recognise it too.

The shamisen has been listening for four hundred years.
My job is to give it something new to say.
— Masaki

Tea. Strings.
One evening.

Three formats, infinitely combinable. Each one is built for an audience who has never sat on a tatami — and designed so they don't want to leave.

Masaki serving matcha at an outdoor event

Sadō Workshop

The Way of Tea — hands-on

Masaki leads guests through the gestures of preparing matcha: warming the bowl, sifting the powder, whisking the foam. A primer on stillness, served in a cup.

  • Group4 – 60 guests
  • Length45 – 90 min
  • SettingTatami · gallery · hotel suite
Masaki performing shamisen on stage

Shamisen Concert

A full set — original repertoire

Masaki on shamisen, joined as needed by koto, shakuhachi, taiko or full band. Equally at home in a 200-seat theatre, a corporate gala, or a private rooftop overlooking the city.

  • Group50 – 5,000 guests
  • Length30 – 90 min
  • SettingTheatre · festival · brand event
Masaki with shamisen beneath cherry blossoms

Touch & Try

Hands-on shamisen for first-timers

Pluck a shamisen string for the first time, under Masaki's guidance. A short, joyful, social format that pairs naturally with the tea workshop or as a reception ice-breaker.

  • Group6 – 30 guests
  • Length30 – 60 min
  • SettingReception · school · embassy
和の体験会 Mix all three into one evening — the signature Wa Experience.

Twenty+ instruments.
One player.

A short list of what Masaki performs live. Programmes can be tailored around a single instrument, a fusion duo, or a full ensemble.

Shamisen Signature
Piano
C-Melody Sax
Drums
Handpan
Biwa
Accordion
Vocals
Bass
Clarinet

Where his sound
has already traveled.

Television & Film

  • TV Anime Kakuriyo no Yadomeshi — theme song Tōryanse, koto & nikko
  • TBS Kin-Suma — X JAPAN / YOSHIKI tribute, performance recording
  • TV Asahi Jun Sanpo — original shamisen piece Ōi Benten-bushi
  • NTV Monday Late Show, TBS New Kama & more
  • NHK ETV Shumi Doki!, Nandemo Kanteidan — score

Brand Compositions

  • MUJI · 無印良品
  • Asahi Sun Clean / ASCere
  • Premium Outlets Japan
  • K.UNO Jewellery
  • Aqua Bank
  • Yu-Can, Shiseido, Asahi Beer, SoftBank — performance

Live · Festival · Corporate

  • GMO SONIC 2024 · Saitama Super Arena (drums, KYGO stage)
  • LUNATIC FEST. · Makuhari Messe
  • Tokyo Motor Show · Tokyo Dome City · Disney Hotel MiraCosta
  • B.League halftime · band master & sax
  • Japan Festivals — Philippines, Vietnam, India, Georgia
  • HONDA · FANCL · ASKUL · Nippon Life · Prince Hotel · AEON

Interviews, features, broadcast & documentary.

For press coverage, interview requests, photo / film access, EPK and high-resolution materials — please write to the management team. We reply in English, Japanese, or Georgian.

Media enquiry
info@haruka-records.com Japan Culture Company · Tbilisi, Georgia Haruka Records · Tokyo, Japan

Bring him
to your city.

Masaki tours worldwide — no geographic limitations. Whether you are a festival, embassy, brand, hotel, school or private host, the team will build the right format around your room.

Available for Concerts · workshops · brand activations · residencies
Format Solo · duo · band · with tea ceremony
Territory Worldwide — no restrictions
Languages English · Japanese · Georgian · interpreted on request
Enquire
International Management Japan Culture Company
Tbilisi, Georgia
Records · Label Haruka Records · Tokyo, Japan
Background · Katsushika Hokusai, The Great Wave off Kanagawa (c. 1831).